![]() ![]() Stephen Marley was the one who invited us to come in. "To be in Bob Marley's house created a landscape for magic. ![]() "We recorded in New York, Miami, and at Hope Road in Jamaica," the album's sound engineer Gordon "Commissioner Gordon" Williams recalled to Okayplayer in 2021. The Album Was Recorded In Bob Marley's Homeīob Marley 's legendary Tuff Gong Studios in Jamaica - which also happened to be his home - is the most prominent of the three places where Miseducation was recorded. Outkast 's Speakerboxx/The Love Below, which won in 2004, is the only other hip-hop album to win the prestigious category. "This is crazy, 'cuz this is hip-hop music!" Hill exclaimed when Whitney Houston presented her with the golden gramophone for Album Of The Year, which no other hip-hop album had done before. (To date, she has won eight GRAMMYs and received 19 GRAMMY nominations in total.) Her wins included Best New Artist, Best R&B Album and Album Of The Year. In 1999, Hill became the first woman to earn five GRAMMYs in one night. Miseducation Is The First Hip-Hop Record To Win Album Of The Year Keep the party going with 25 facts about the album and its impact, from what the cover art was originally supposed to look like, to the current Mayor who appeared as the narrator, and the book to read for all the Miseducation tea. Hill and her opus are still influencing artists today, from Lizzo to Drake. ![]() Decades later, it remains a touchstone and high watermark for hip-hop and R&B, helping to redefine both genres. 25, 1998, Miseducation was Hill's debut solo album and only one to date. Soon, she'll embark on a 17-date world tour, co-headlining with Fugees on the dates that take place in the United States. The article offers new insights about the ecological origins of Steinbeck and Ricketts’s disputes over “non-teleological” reasoning and the pair’s divergent understandings of nature, society, and progressive politics.Fugees singer and rapper Lauryn Hill has been celebrating the 25th anniversary of her album The Miseducation of Lauryn Hill all summer, with special performances at high-profile festivals across the country, including Roots Picnic in Philadelphia and ESSENCE Festival in New Orleans. Yet Steinbeck ultimately held fast to a super-organismic understanding of ecological holism-a hierarchical relationship between constituents and the whole that underlays the novelist’s idea of the human “phalanx” in Grapes of Wrath and other works. Through dialogue with Steinbeck about the implications of modern physics during their Sea of Cortez voyage (1940), Ricketts developed a “unified field hypothesis” to conceptualize the dynamic interwovenness created by transfers of metabolic energy. Rejecting Allee’s cooperative metaphors, Ricketts came to see community structure as an unintended result of tidepool invertebrates’ Darwinian struggle to occupy resource niches-a “set of sieves” that transferred nourishment from one part of the aggregation to the next, binding it together in interlocking food webs. Yet Ricketts found that physiochemical factors, such as temperature and salinity, could not explain the distribution of organisms amid the Pacific’s far more precarious rough-and-tumble surf, nor could they account for fierce competition among organisms. Allee envisioned animal aggregations as higher-order societies guided by “unconscious cooperation” and evolving toward a climax state. Allee had conducted his investigations of intertidal organisms in the relatively placid bays and estuaries at the Woods Hole research center on Cape Cod, Massachusetts. At first, Ricketts adopted the physiological methods and conceptions of ecological holism he had learned at the University of Chicago under mentor Warder C. Ricketts’s work demonstrates how the place of ecological investigation (Billick and Price)-here Monterey Bay’s pounding surf, storm-tossed debris, eclectic bohemianism, and the collaborative energies at Hopkins Marine Station-“imprinted” West Coast animal ecology. These surveys resulted in a landmark handbook, Between Pacific Tides (1939), designed for novices and specialists alike. Ricketts’s friendship with Steinbeck and unconventional philosophical style have regrettably overshadowed his scientific work, particularly his novel faunal zonation surveys of the North American Pacific littoral in the 1930s and 1940s. Ricketts, best known as the prototype for John Steinbeck’s character “Doc” in the novel Cannery Row (1945). This article examines the intertidal ecological research of the commercial lab owner and popular science writer Edward F. ![]()
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